Feb. 28, 2022

Audio

Fatigue #1

By Aurora Levins Morales

View the full text below.


Fatigue #1

By Aurora Levins Morales

Fatigue #1

 

Je suis tres fatigué my mother would say, and 

fermé la bouche.  She taught me the art of not sleeping,

passing my open bedroom door at midnight,

book in one hand, and a steaming mug of tea.

I used a flashlight and fiction to keep my eyes

propped open against the natural desire to go dark.

 

My father napped on the couch, the sound

of his coughing rumbling through the air

as familiar as birdsong, a man with limitless 

passion for a world of justice, and 

a deep well of resignation for himself. 

 

I don’t think I began to be tired

until my uncle stuck many parts of himself

between my four year old legs. 

There’s a photograph of me in the park,

after. I can tell by my dark child eyes,

wary, wounded, watchful,

too tired for my age.

 

Je suis tres fatigué.  Fermé la bouche. 

 

Or the other way around.

 

My mouth a thin line, a zipper

behind which crouched men

loaded up with threat. I carried

a continent of the silence 

they beat into me with their dagger looks. 

It weighed a lot. I was

an exhausted seven year old. 

 

The summer I was nine I could no longer walk up the hill at the summer camp my grandmother paid for me to go to just like my white Jewish cousins. I got out of breath. I didn’t have asthma. I didn’t have a lung problem. I was just incredibly exhausted from being so afraid all the time and the effort it took to hide it because when the men said if I showed in word or deed what they were doing to me they would murder my family, I believed them.  So I learned to play recorder and etch designs into copper and ride a horse in circles in a barn, but I stopped walking up hills. 

 

I don’t really understand rest.  

I know distraction. I know 

refusing to read the avalanche of emails,

I know not wanting to do anything,

but I only remember this: 1974

the summer I was twenty

making up a biology incomplete

by learning sea turtles,

one afternoon in a hammock 

strung between the veranda posts

of the old lighthouse 

I watched the blue flower of the sky

keep opening and opening 

and my cluttered attic of a mind 

went empty, swept clean. 

I think that may have been rest.

 

I plummet into sleep

afraid not of the depths

but of the twilight.

I keep myself awake

until I know I can fall swiftly off the edge

rush past the old broken fangs

of a crouching menace decades gone

into the blue trench

into the waters of Olokun, the darkness

of her indigo worlds. Could that

be rest?

 

I imagine writing one hundred 

poems about fatigue. 

I imagine shedding them the way

eucalyptus trees shed strips of bark

long ribbons that curl and fall

not in flecks of dust like human skin

but in rusty lengths

that become soil.

 

There should be more words for tired.

Years ago I was in rehab for one of a dozen

bad blows to the head because of epilepsy

and the man I was hauling around at the time

compared the shattered wiring of my brain

my inability to initiate the action I had chosen

to his own habit of putting things off

and the therapist said no, because

if I gave you fifty dollars to do a thing on your list

you could and she can’t. There should be 

stronger word for can’t.

 

People who are not crushed with fatigue 

think we should be able to push through.

That when we say we’re tired, those of us who are

crushed, we mean what they mean 

after an ordinarily tiring day.

There should be a word 

for a weariness that coats everything with dust.

There should be a word for

all the blood in my body draining out 

through the soles of my feet, and

no oxygen going to the muscles it would take

to stand up. 

 

There should  be a word

for trying to do your lover’s homework,

pulling double shifts  

trying to bank emotional labor

in someone else’s leaky account

which is not how it works, ever,

how exhausting it is to keep

pouring your heart down a hole

trying to believe it will this time

because the men with knives

made you forget how to walk away. 

 

A word for living under the weight

of a white Protestant class-bolstered

normal normal normal with its

million and one ways of being wrong

its million and one deadly ways.  

 

When I say I’m too tired, people don’t believe me.

They don’t understand the shorthand.

That I am demolished by the wrecking ball of silence.

That I am trying to shed the bark of it.

 

The men said don’t move, so I don’t.

Now people tell me to exercise. They

tell me how good it will be for me,

and maybe it’s true, and maybe it’s not, because 

post-exertional malaise,

but when I think of moving, 

I remember centuries of stone,

an ocean bed of sedimentary rock, 

pushing down on me, pinning me,

those men, those empires

until I think I am only

a fossil of motion

trapped in rock.  

 

Get up and move, they say.

Just do it. 

 

Je suis tres fatigué. 

 

 

January 4, 2022


Aurora Levins Morales is a Boricua Ashkenazi writer practicing her craft in a web of chronic illnesses and disabilities in Maricao, Puerto Rico. She is the author of seven books, most recently Medicine Stories; Essays for Radicals and Silt: Prose Poems. Her earlier work, Kindling: Writings On the Body is a significant text in Disability Studies. Her work has appeared in dozens of anthologies and is widely taught.  

Image description: A light skinned woman with medium brown hair shown from the chest up, with glasses, wearing a button up shirt in a swirling pattern of many shades of grey-blue, open at the throat to show part of a tattoo. In the background is a wooden cabinet to her right, and a shelf with a dark blue curtain behind it to her left, with a small ceramic vase, a book, and blurry images of small artwork. 

Back to Poem of the Week